Be Inspired
ANNUAL ART CONTEST
“Just don’t give up trying to do what you really want to do. Where there is love and inspiration, I don’t think you can go wrong.” — Ella Fitzgerald
“I’m not going to continue knocking that old door that doesn’t open for me. I’m going to create my own door and walk through that.”— Ava DuVernay
Artists who registered for the 2022 Open Studio Tour were invited to submit original artwork to SCA’s Annual Art Contest on the theme of “Be Inspired.” The theme was very broad, so that all artists have the opportunity to choose their very best work that incorporates the theme. Where do you find inspiration? What doors will you walk through this year?
This year’s juror was Kathleen Hancock, the director of Griwmshaw-Gudewicz Art Gallery at Bristol Community College. See her selections and read some of her comments below.
“I want to thank you for the opportunity to be with you again. I so appreciate organizations like South Coast Arts. Groups like yours take on such an important role in bringing artists and communities together.”
“Over the years I’ve had the opportunity to get to know some of you, and have exhibited work by some of you at the Grimshaw-Gudewicz Art Gallery. And for some of you, it is a pleasure to see your work for the first time.
As I looked over this year’s entries thinking about the theme of Be Inspired– It made me ask the question:
What is artistic inspiration?
Does the impulse to make art differ from, say, being inspired to bake a cake, or to make a career change, or develop a cure for a terrible disease?
I think we can all recognize the moment inspiration arrives. It almost always feels revelatory and magical—periods of clarity that emerge and embody within them all the mysteries, and all the solutions all at once.
Inspiration also feels hopeful and optimistic, two things that have been hard to hold onto in recent times. But I see those things sprinkled through all the works that were submitted for this year’s SCA Annual Art Contest..
Thanks to all of you for inspiring me every day. Congratulations everyone.”
— Kathleen Hancock
Kathleen Hancock, 2022 Annual Contest Juror
ABOUT THE JUROR: Kathleen Hancock is an artist, educator, and curator/director. She holds a BFA in Printmaking from Western Kentucky University, Bowling Green, KY and an MFA in Printmaking from Pratt Institute, Brooklyn, NY. She is the director of the Grimshaw-Gudewicz Art Gallery at Bristol Community College in Fall River, Massachusetts. She has taught drawing, printmaking, and book arts courses at Roger Williams University, Community College of Rhode Island, Rhode Island School of Design, and Bristol Community College. Before coming to the Grimshaw-Gudewicz Art Gallery in 2000, she was exhibit coordinator and assistant director of the Bristol Art Museum.
First Prize, Don Cadoret
Bee True
“Cadoret’s carefully composed illuminations are full of decorative mnemonic devices, small puzzles waiting to be solved.”
Second Prize, Janie Kinnane
Copious
“Kinnane’s masterful woodcut reveals a process perfectly matched to her documentary approach to, and study of life, underwater.”
Honorable Mention, Pat Warwick
Reflection
“Warwick’s expressive command of the medium is no less masterful, and the intricacies she captures in her work are emblematic of the fleeting qualities of moments of being, ever shifting, always new.”
Robert AbeleHappy Trails12" x 16"OilHappy Trails was painted plein-air in Truro at the end of day, raking shadows filled with light tugging the viewer down the lane inspired by the beauty of the setting.
Peter AldrichWonder11" x 8.5"Charcoal Pencil on PaperMy grandson was looking at an animated and colorful Mandelbrot fractal.
Cali AlmyEstuary Platter16" diameterClayThis platter, made to hang on the wall and be used as a serving piece, is wheel thrown and hand decorated. The surface design is inspired by the local landscape and the transition of color and texture across the estuary to Buzzards Bay.
Bruce BaileyHouse of Dreams15" x 11"Digital Print, Ink DrawingInspired by Castrovalva, lithograph of MC Escher.
Heidi BaxterOcean Road48" x 60"Oil
Dot BergenCityscape Reflection14" x 11"Encaustic"Cityscape Reflection" was inspired by an image of the Westminster Bridge in London, as viewed from the River Thames. I rotated the lines at an angle and played with the composition to achieve an exciting abstraction.
Whitmore BoogaertsReflective Vision9' x 5' x 3'Stainless SteelThis piece is meant as an abstract, but with references to the natural world as well as the human anatomy.
Marianne BoucherSunflowers12" x 24"Oil On Canvas I enjoy painting scenic and nature subjects from the Southeast area.
Claire BowenHarvest Table18" x 24"MixedThis piece is layer Fabric, paper, drawing, & acrylic paint.
Jane BregoliOK10" x 10"Oil
Susan CabralMashnee Beach Cape Cod48" x 60"OilOil under-painted with acrylic orange, with thin layered transparent colors. Special message on the white sign, "what you seek is seeking you".
Don CadoretBe True10" x 10"Acrylic on Board
Robert DecCosmic Karma23" x 28"Acrylic/Collage on CanvasMy inspiration has always been nature-and it's preservation.
Cecilia DelGaudioReflections8.5" x 12" x 7"Marble
Shane DoreySelkie12" x 12" x 14"Blown GlassHot Sculpted and hand blown glass horse head mounted on a metal and wooden stand.
Wanda EdwardsRed Chevy10" x 20"Torn PaperWith the theme of "be inspired", I know I'm mostly inspired by travel as well as all things vintage. The background of this image is created with bits of assorted maps and the car was done with many types of papers I've either designed or collected. No paint was added.
Lindsey EpsteinCobalt Galaxy Crystalline Teardrop13.5"h x 6"wPorcelainThis vase was thrown on the potter’s wheel from porcelain clay. It is glazed with a crystalline glaze of copper & cobalt. The surface is multidimensional, with silvery-blue zinc crystals which grow during the firing process that have blue, grey and silver halos. There are also hints of grey and pewter colored secondary crystals in the background. The small crystals seem to pop off the surface of this unique vase as streaks of blue and white highlight different sections of the form. The intricate designs and colors which emerge from the firing are always mesmerizing- an unknown pattern is created as the crystals flow down the sides of the vase and are frozen in time as they cool. Much like the petals of a flower, these unique crystals come together to form a whole new piece, telling a different story. I am inspired by growth- starting a plant from a seed to watch it flower; spinning clay on a wheel to create something useful; using chemistry to grow crystals in the glaze. There may be difficulties during the process, but they can lead to great discoveries and grow into something beautiful.
Midori EvansMoving16" x 20" PhotographyShot with a Nikon D7000.
Mary Ellen FlinnKindred Spirits4.75"w x 4.75"d x 9.25"hWood, AcrylicsCat and hummingbird are hand-carved of sugar pine wood; painted with acrylics, with a was finish.
Jonathan FrenchIt is hard to ignore what's going on36" x 48"Acrylic on CanvasI originally painted this view of the garden last April shortly after my father died. As the year progressed I kept reworking it, but then this year I found myself looking out and thinking about what's going on in the world. The Koi pond became a bombed crater and the landscape mirrored the Ukrainian Flag. Optimistically, I strengthened the bridge. My family on my mother's side are from Lviv near the border of Poland in the Ukraine.
William GajdaBuilding Blocks18" x 9" x 3/4"WoodBuilding Blocks are created by individually cut pieces of wood into diamond shapes. The wood pieces include maple, ambrosia maple, and walnut. Was inspired by tessellations.
Ronnie GouldNautical Westie13"h x 10"w x 10"dStonewareRaku fired in crackle glaze.
Vidar HaalandHowland House22.5" x 30"WatercolorWatercolor on full sheet Arches CP 140 lb. paper.
Catherine HaferDare to Dream11" x 14"CharcoalInspiration...the guise that leads from one creation to the next, on the journey of putting our souls onto paper, canvas, or 3-D form. This piece has inspired new direction; inside; for my work. May we all..."Dare to Dream".
Barbara HealyTenacity16" x 16"OilI am inspired by the tenacity of nature and it's ability to survive and thrive.
Genevieve HuntWinter River at Sunset9" x 12"WatercolorThis painting expresses my determination to not be held back by Seasonal Affective Disorder in winter and to embrace daily walks in nature near my home in Dartmouth, looking for small signs of spring's approach.
Janie KinnaneCopious 40”x 60”Block PrintCarved with mainly a 1m v-gauge chisel on a 40”x60” cherry plywood. Traveled 200miles off shore to gather reference photos and experience to capture as much realism as possible.
Melinda LaneHydrangea, Pink and Green11" x 14"OilMy interest was working with a shallow space with a great deal of visual information.
Thomas LeverettSailing Time30" x 48"Acrylic
Eric LintalaTa-Dah40" x 22" x 16"Welded SteelInspiration comes from those who can do the impossible.
Carolyn LockJanuary Morning24" x 20"0IlThe peaceful woods are alive with color on an early morning walk. Every day is different.
Johanna McKenzieLittle Compton in Winter10" x 15"Oil on Panel
Karen MelansonConstant Change16" x 18"Pastel
Kelly MilukasNew Moon Wishes18" x 12"Pastel, Mixed MediaNew Moon Wishes' celebrates the recurring cycles in time to set intentions, make wishes, and start anew.
JP PowelRoad Kill Horseneck Road32" x 24.5"Oil On PanelSigned, Dated 04.12.2021
Jennifer RashleighLighting the Way36"x48"Acrylic on CanvasI love juxtaposing careful linear representation with impressionistic techniques. In 'Lighting the Way', an image of the Sakonnet Light House is depicted with precise clarity against the freeing abstraction in the color texture and exuberant strike of my brush in the process of painting water and atmosphere. Simultaneously a light house is this amazing gesture of civil kindness offered to people we don't know near our borders as a way to protect them as they near our shores. The visual clarity of the Light house and the loose impressionistic quality of the turbulent sea together "light the way."
Ilene RichardDaily Catch40" x 40" x 1.5"Acrylic On Canvas
Josie RichmondStriped contours19”x 19 1/2”Intaglio Watercolor Encaustic Made from overlapped intaglio plates with watercolor and encaustic paint. Sakonnet Point east to the Slocum River.
Cindy SachsTangled Up18" x 24"Acrylic
Kitt ShafferVineyard Concert Sunset18" x 24"Oil on CanvasPainting from a photograph taken at Westport Rivers Vineyard summer concert.
Galen V SnowMorning Catch17" x 21"Paper Montage"Morning Catch" was inspired by the beautiful Ospreys flying over my studio in Little Compton, often with a catch in their talons. Their graceful strength is amazing, their piercing gaze quite intense. Coupled with the beauty of the river, and this amazing birds' presence, I was inspired to recreate his flight over the choppy water on this breezy day. My process takes many hours of precise cutting and tearing of handmade and high quality magazine papers to achieve a realistic, yet somewhat abstract piece. I use no paint, just paper and glue. The transparent pieces are layered in the background to create a color I need for depth and hue. Then the opaque and textural magazine pieces are layered on top of the translucent background to complete the image. Each piece takes up to 50-60 hours of work, sometimes months, as in my larger works.
Debra ValeriBeach Path20" x 30"Oil
Michael WaldenChristmas Jordans11" x 14"Oil on CanvasThis painting recently hung in my solo show at Prince street gallery in NYC.
Pat WarwickReflection20" x 20"Acrylic/Mixed Media
Ron WenzelRed Vermilion and Flowers16" x 20" Oil
Nancy WhitinBeach Traffic12" x 18"PastelI am seduced by nature in motion, from a running horse to the waves at the beach.
Carol WoodSweet Nigel5" x 7.5"Watercolor
Brenda Wrigley ScottSprouting Leaves20”x 32”Acrylic on PaperPaper has been texturized with materials and glazes to create background that is earthy and nuanced.